Ribbon of Memes

It's been over a century and a quarter since the first moving picture was committed to celluloid - the "ribbon of dreams", as Orson Welles mellifluously intoned.

And so, welcome, one and all, to Ribbon of Memes, a new podcast in which Roger Bell_West and Nick Marsh supply grateful listeners hot takes about films considered masterpieces by critics or filmgoers in general.

The rules: we choose one "masterpiece" from every year from the earliest days of cinema to our dreadful modern dystopia. Do we agree these films are classics? Are we entertained? Did we even understand what the film was trying to say? The questions are endless!*

We start in 1973 (for reasons explained in the first podcast) and progress vaguely chronologically (unless we think of another film that makes an interesting comparison to the one we have just seen, or are otherwise distracted by shiny new things).

Yes, that's right, we decided that what the world really needed was two more uninformed middle-aged white guys telling the world about media largely produced by similar people. Find out whether we were right or not herein!

*Actually, no, that's most of them.

We're also on iTunes, Spotify and Google Podcasts.

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The Italian Jobs (1969 and 2003) 01 March 2025

Nick and Roger are glad to be out, er, back, as we drive headlong into The Italian Job (1963) with a brief mention of its not-as-bad-as-expected remake The Italian Job (20033)

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Tags: crime

  1. Posted by J Michael Cule at 01:23pm on 01 March 2025

    If I recall correctly a lot of the 'explanation' for Noel Coward not getting a knighthood was his choosing to live abroad in Switzerland ("The home of so many of our leading artists" - Michael Flanders) for tax reasons. It is impossible now to reconstruct how much of that was sincere and how much cover for 'he's a dreadful old queer'.

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